Start with the three-minute official Bandcamp track, released September 11 as the closer to Ow ∞, the duo’s first album in four years. Amelia Meath sings over Nick Sanborn’s guitar and electronics; Rodaidh McDonald mixed it. The new record’s surrounding language is turn-of-the-century breakbeats, distorted guitar and glitch-pop abrasion rather than pristine electropop.
The fit is the tension: childlike weapon, apocalyptic little procession, pop motion. It sits on the warmer and more tactile side of a Chromatics/LCD/leftfield-electronics axis without becoming tasteful Sunday-background music. The official page provides the credits and lyric imagery; this is a sourced recommendation, not a claim that I have heard the master. Track credits and release, album
One future date belongs on the quiet event list: the album page lists Brooklyn Paramount on October 14. That is artist-page itinerary, not checked ticket inventory.