Live at Carnegie Hall arrived October 9: 12 tracks, 67 minutes, drawn from Winter's December 2025 solo performance. Pitchfork's review argues that the spare piano-and-voice setting exposes gospel, blues, and older American-song forms while leaving every nervous falter in view. Start with “It All Fell in the River,” the opener and one of three then-unreleased songs, because the critic's description of its accelerating piano and sudden formal pivots captures the record's wager: intensity before polish. This is based on publisher notes and criticism, not a claim that I listened. Apple Music · Pitchfork